{"product_id":"ridgway-geranium-studies-set-of-four","title":"Ridgway Geranium Studies | Set of Four","description":"\u003clink href=\"https:\/\/fonts.googleapis.com\/css2?family=Cormorant+Garamond:ital,wght@0,300;0,400;0,500;0,600;1,300;1,400\u0026amp;family=Jost:wght@300;400;500\u0026amp;display=swap\" rel=\"stylesheet\"\u003e\n\n\u003cstyle\u003e\n*, *::before, *::after { margin: 0; padding: 0; box-sizing: border-box; }\n:root { --base:#efe9df; --panel:#fbf9f5; --panel-warm:#f5f0e7; --ink:#241d19; --text:#5d5147; --text-soft:#8c7f72; --gold:#b8965a; --olive:#6f7561; --rule:#ddd4c6; --rule-soft:#e6ded2; }\n.sonoma { background:var(--base); color:var(--ink); font-family:'Jost',sans-serif; font-weight:300; -webkit-font-smoothing:antialiased; padding:0 0 3rem; overflow-wrap:break-word; }\n.sonoma .inner { max-width:760px; margin:0 auto; padding:0 2.5rem; }\n.sonoma a { color:inherit; text-decoration:none; border-bottom:1px solid var(--gold); padding-bottom:1px; -webkit-tap-highlight-color:transparent; 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}\n.acc[open] summary::after { content:\"\\2013\"; }\n.acc-body { padding:0 0 24px; }\n.p { font-size:clamp(15px,3.3vw,16px); line-height:1.88; color:var(--text); margin-bottom:14px; max-width:640px; }\n.p:last-child { margin-bottom:0; }\n.p strong { color:var(--ink); font-weight:400; }\n.p-large { font-family:'Cormorant Garamond',serif; font-size:clamp(18.5px,4.2vw,21px); font-weight:300; line-height:1.6; margin-bottom:16px; max-width:600px; }\n.sub { font-family:'Cormorant Garamond',serif; font-size:clamp(18px,4vw,20px); font-weight:500; margin:22px 0 6px; text-transform:none; }\n.sub:first-child { margin-top:0; }\n.size-card { background:var(--panel); padding:22px 20px; margin-bottom:12px; }\n.size-top { display:flex; flex-wrap:wrap; align-items:baseline; justify-content:space-between; gap:6px 18px; padding-bottom:12px; border-bottom:1px solid var(--rule-soft); margin-bottom:12px; }\n.size-name, .size-figures { font-family:'Cormorant Garamond',serif; font-size:clamp(21px,4.6vw,26px); font-weight:400; line-height:1.1; }\n.size-figures b { font-family:'Jost',sans-serif; font-size:12px; font-weight:500; letter-spacing:.14em; color:var(--gold); margin-right:4px; position:relative; top:-2px; }\n.size-figures span { font-family:'Jost',sans-serif; font-size:12px; font-weight:300; letter-spacing:.06em; color:var(--text-soft); margin-left:2px; }\n.size-figures i { color:var(--rule); font-style:normal; margin:0 7px; }\n.size-body { font-size:15px; line-height:1.8; color:var(--text); }\n.size-tip { font-family:'Cormorant Garamond',serif; font-size:clamp(17px,4vw,19px); font-style:italic; color:var(--text); text-align:center; margin-top:16px; line-height:1.6; }\n.benefits { list-style:none; }\n.benefits li { font-size:15px; line-height:1.7; color:var(--text); padding:13px 0 13px 18px; border-bottom:1px solid var(--rule-soft); position:relative; }\n.benefits li:first-child { border-top:1px solid var(--rule-soft); }\n.benefits li::before { content:\"\"; position:absolute; left:0; top:22px; width:9px; height:1px; background:var(--gold); }\n.benefits li strong { color:var(--ink); font-weight:400; }\n.spec-list div { font-size:15px; line-height:1.65; color:var(--text); padding:11px 0; border-bottom:1px solid var(--rule-soft); }\n.spec-list div:first-child { border-top:1px solid var(--rule-soft); }\n.faq-q { font-family:'Cormorant Garamond',serif; font-size:clamp(18px,4vw,20px); font-weight:600; margin:22px 0 6px; line-height:1.32; text-transform:none; }\n.faq-q:first-child { margin-top:0; }\n.faq-a { font-size:15.5px; line-height:1.85; color:var(--text); max-width:620px; }\n.look-row { padding:14px 0; border-bottom:1px solid var(--rule-soft); }\n.look-row:first-child { border-top:1px solid var(--rule-soft); }\n.look-name { font-family:'Cormorant Garamond',serif; font-size:20px; margin-bottom:3px; }\n.look-why { font-size:14.5px; color:var(--text); line-height:1.7; }\n.closing { background:var(--panel-warm); padding:32px 26px; margin-top:2.4rem; text-align:center; }\n.closing p { font-family:'Cormorant Garamond',serif; font-size:clamp(18px,4.4vw,22px); font-style:italic; font-weight:300; line-height:1.55; max-width:480px; margin:0 auto; }\n@media (max-width:600px) {\n  .sonoma .inner{padding:0 1.3rem;} .hero{padding:2.6rem 0 1.6rem;}\n  .quote-card{padding:28px 18px 24px; margin:1.6rem 0 1.9rem;}\n  .size-card{padding:18px 15px;} .size-figures i{margin:0 5px;}\n  .closing{padding:26px 18px;}\n}\n\u003c\/style\u003e\n\n\u003cdiv class=\"sonoma\"\u003e\n\u003cdiv class=\"inner\"\u003e\n\n  \u003cdiv class=\"hero\"\u003e\n    \u003cdiv class=\"eyebrow\"\u003e\u003ca href=\"\/collections\/wall-art\"\u003eHome Décor \/ Wall Art\u003c\/a\u003e\u003c\/div\u003e\n    \u003ch2\u003eFour botanical geranium studies, reproduced from plates of 1835.\u003c\/h2\u003e\n    \u003cdiv class=\"hero-rule\"\u003e\u003c\/div\u003e\n    \u003cp class=\"lead\"\u003e\u003cstrong\u003eA set of four framed botanical prints, each 60 x 45cm, in deliberately aged dark timber frames.\u003c\/strong\u003e\u003c\/p\u003e\n    \u003cp class=\"lead\"\u003eHung as a block of four they fill a wall the way a single large piece cannot, because the eye reads four related images as a collection rather than one picture. Browse all \u003ca href=\"\/collections\/wall-art\"\u003ewall art\u003c\/a\u003e.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"quote-card\"\u003e\n    \u003cdiv class=\"quote-label\"\u003eStylist's note\u003c\/div\u003e\n    \u003cp class=\"quote-text\"\u003eFour related prints do something one large one cannot. They look like they were gathered rather than bought.\u003c\/p\u003e\n    \u003cdiv class=\"quote-attrib\"\u003eThe CharlesTed Studio\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cp class=\"pills-caption\"\u003eAt home in\u003c\/p\u003e\n  \u003cdiv class=\"pills\"\u003e\n    \u003ca class=\"pill\" href=\"\/collections\/dining-room\"\u003eDining rooms\u003c\/a\u003e\n    \u003ca class=\"pill\" href=\"\/collections\/living-room\"\u003eLiving rooms\u003c\/a\u003e\n    \u003cspan class=\"pill\"\u003eHallways\u003c\/span\u003e\n    \u003cspan class=\"pill\"\u003eStaircases\u003c\/span\u003e\n    \u003ca class=\"pill\" href=\"\/collections\/the-bedroom-collection\"\u003eBedrooms\u003c\/a\u003e\n    \u003cspan class=\"pill\"\u003eStudies\u003c\/span\u003e\n    \u003ca class=\"pill\" href=\"\/collections\/farmhouse-style\"\u003eModern Country\u003c\/a\u003e\n    \u003cspan class=\"pill\"\u003eTraditional\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cp class=\"acc-intro\"\u003eEverything you need, one tap away.\u003c\/p\u003e\n\n  \u003cdetails class=\"acc\" open\u003e\n    \u003csummary\u003e\u003ch3\u003eThe measurements, and how to hang them\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cdiv class=\"size-card\"\u003e\n        \u003cdiv class=\"size-top\"\u003e\n          \u003cdiv class=\"size-name\"\u003eEach print\u003c\/div\u003e\n          \u003cdiv class=\"size-figures\"\u003e\n\u003cb\u003eH\u003c\/b\u003e60\u003cspan\u003ecm\u003c\/span\u003e\u003ci\u003e\/\u003c\/i\u003e\u003cb\u003eW\u003c\/b\u003e45\u003cspan\u003ecm\u003c\/span\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cp class=\"size-body\"\u003eFour supplied, framed in deliberately aged dark timber. Portrait orientation.\u003c\/p\u003e\n      \u003c\/div\u003e\n      \u003cp class=\"size-tip\"\u003eAs a two-by-two block, allow roughly 98cm wide by 128cm tall.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eAs a block of four\u003c\/strong\u003e, two across and two down with an 8cm gap, the group spans about 98cm wide and 128cm tall. Allow a clear wall of at least 120cm across.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eIn a single row of four\u003c\/strong\u003e, with the same 8cm gaps, the run is about 204cm. That suits a long wall above a sideboard or a run down a staircase.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eKeep the gaps even and tight.\u003c\/strong\u003e 5cm to 8cm between frames is what makes four pieces read as one arrangement. Wider than 15cm and they become four separate pictures on the same wall.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eCentre the group at about 145cm\u003c\/strong\u003e from the floor, which is standard gallery eye level. Above furniture, leave 20cm to 25cm between the top of the piece and the bottom of the lowest frames.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eLay them out on the floor first\u003c\/strong\u003e and measure the finished block before you mark the wall. On a set of four, an error in the first hole compounds three times over.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eThe detail that makes it different\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cp class=\"p-large\"\u003eThese are reproductions of real botanical plates, and the evidence is printed on them.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003eLook closely at the foot of each image and you will find the original credit line: \u003cstrong\u003epublished by J Ridgway of 169 Piccadilly, July 1835\u003c\/strong\u003e, with the engraver's signature opposite. That is a genuine nineteenth-century botanical plate rather than a modern illustration made to look old, and the difference shows in the drawing.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003eThe \u003cstrong\u003ehand-coloured quality\u003c\/strong\u003e is the tell. Deep crimson and dusty pink petals over dark green foliage, with the fine engraved line still visible beneath the colour. Underneath each specimen sits an uncoloured outline study of a single leaf, which is how botanical plates were drawn: the plant recorded, then its parts noted separately.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003eThe \u003cstrong\u003epaper tone carries through\u003c\/strong\u003e, warm and slightly foxed, with the plate numbers still in the upper corners. Nothing has been cleaned up to look new.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003eThe \u003cstrong\u003eframes are deliberately aged\u003c\/strong\u003e, in a dark timber with a distressed finish rather than a flat modern black. On a botanical plate that matters: a sharp contemporary frame fights the paper, where an aged one lets the whole thing read as something inherited.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eWhy you will love it\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cul class=\"benefits\"\u003e\n        \u003cli\u003e\n\u003cstrong\u003eFour prints in one purchase\u003c\/strong\u003e, so the wall is solved in a single decision\u003c\/li\u003e\n        \u003cli\u003e\n\u003cstrong\u003eGenuine 1835 botanical plates\u003c\/strong\u003e, with the original credit lines intact\u003c\/li\u003e\n        \u003cli\u003e\n\u003cstrong\u003eHand-coloured character\u003c\/strong\u003e, with the engraved line visible beneath\u003c\/li\u003e\n        \u003cli\u003e\n\u003cstrong\u003eDeliberately aged frames\u003c\/strong\u003e rather than flat modern black\u003c\/li\u003e\n        \u003cli\u003e\n\u003cstrong\u003e60 x 45cm each\u003c\/strong\u003e, substantial enough to hold a wall properly\u003c\/li\u003e\n        \u003cli\u003e\n\u003cstrong\u003eDeep crimson and green\u003c\/strong\u003e against warm paper, which flatters neutral rooms\u003c\/li\u003e\n        \u003cli\u003e\n\u003cstrong\u003eHangs as a block or a row\u003c\/strong\u003e, so it adapts to the wall you have\u003c\/li\u003e\n        \u003cli\u003e\n\u003cstrong\u003eRelated but not identical\u003c\/strong\u003e, which is what makes a set look collected\u003c\/li\u003e\n      \u003c\/ul\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eHow our stylists would use it\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cdiv class=\"sub\"\u003eBlock of four, not a line, unless the wall says otherwise\u003c\/div\u003e\n      \u003cp class=\"p\"\u003eA two-by-two block has more presence than a row and suits most walls better. Save the single row for a long wall above a sideboard or a staircase where a block would not fit.\u003c\/p\u003e\n      \u003cdiv class=\"sub\"\u003eGive them a deeper wall\u003c\/div\u003e\n      \u003cp class=\"p\"\u003eBotanical plates on warm paper look best against something with depth behind them. Deep olive, sage, soft charcoal or a clay tone makes the crimson sing. Against brilliant white the warm paper can read as dingy.\u003c\/p\u003e\n      \u003cdiv class=\"sub\"\u003eDo not add more art\u003c\/div\u003e\n      \u003cp class=\"p\"\u003eFour related pieces is already a collection. Adding a fifth unrelated frame nearby undoes the coherence that makes the set work.\u003c\/p\u003e\n      \u003cdiv class=\"sub\"\u003eLight them evenly\u003c\/div\u003e\n      \u003cp class=\"p\"\u003eA single \u003ca href=\"\/collections\/table-lamps\"\u003elamp\u003c\/a\u003e to one side lights two of four unevenly. Either light the wall properly or rely on daylight, because half-lit botanical detail is worse than none.\u003c\/p\u003e\n      \u003cdiv class=\"sub\"\u003eEcho the green once\u003c\/div\u003e\n      \u003cp class=\"p\"\u003eSomething living or faux below, a stem of \u003ca href=\"\/collections\/faux-flowers-greenery\"\u003egreenery\u003c\/a\u003e in a stoneware vessel, picks up the foliage without repeating the flowers.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eAt a glance\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cdiv class=\"spec-list\"\u003e\n        \u003cdiv\u003eQuantity: Set of four\u003c\/div\u003e\n        \u003cdiv\u003eEach print: H60 x W45cm\u003c\/div\u003e\n        \u003cdiv\u003eAs a two-by-two block: approximately 98 x 128cm\u003c\/div\u003e\n        \u003cdiv\u003eAs a row of four: approximately 204cm wide\u003c\/div\u003e\n        \u003cdiv\u003eOrientation: Portrait\u003c\/div\u003e\n        \u003cdiv\u003eFrame: Dark timber, deliberately aged finish\u003c\/div\u003e\n        \u003cdiv\u003eSubject: Botanical geranium studies\u003c\/div\u003e\n        \u003cdiv\u003eSource: Reproductions of plates published 1835\u003c\/div\u003e\n        \u003cdiv\u003eUse: Interior only\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eCare and honest expectations\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eSpray the cloth, not the glass.\u003c\/strong\u003e Cleaner running down into an aged timber frame will mark the finish and can work into the joint between glass and frame.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eDust the frames with a dry cloth\u003c\/strong\u003e or a soft brush. Nothing wet and nothing abrasive on a distressed finish, which is a surface treatment rather than a deep stain.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eKeep them out of direct sunlight.\u003c\/strong\u003e This matters more on a set of four, because if one hangs in a sunbeam and three do not, the difference will show in a few years.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eAway from steam.\u003c\/strong\u003e Not a bathroom, and not directly above a radiator where rising heat and moisture reach the paper.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eCheck the fixings once a year\u003c\/strong\u003e and straighten anything that has drifted. On a block of four, one crooked frame spoils the group.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003e\u003cstrong\u003eWhat to expect.\u003c\/strong\u003e The frames are deliberately aged, so the distressing varies from frame to frame. Printed colour also varies slightly from what a screen shows.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eQuestions, answered\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cdiv class=\"faq-q\"\u003eHow many prints do I get?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eFour, each 60 x 45cm in its own frame. They are related studies rather than identical images, which is what makes the group read as a collection.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eHow much wall do I need?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eSee the measurements at the top of this page. As a two-by-two block with 8cm gaps the group spans about 98cm wide by 128cm tall, so allow a clear wall of at least 120cm across.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eCan I hang them in a row instead?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eYes. Four across with 8cm gaps runs to about 204cm, which suits a long wall above a sideboard or a staircase where a block would not fit.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eAre these real antique prints?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eThey are reproductions of genuine botanical plates published in 1835, with the original credit lines and plate numbers reproduced as part of the image. They are not antique originals, but the drawing and the hand-coloured character are faithful to the source.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eWhat are the frames like?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eDark timber with a deliberately aged, distressed finish rather than a flat modern black. That is intentional: a sharp contemporary frame fights warm botanical paper, where an aged one lets the whole thing read as inherited.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eWhat colours are in them?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eDeep crimson and dusty pink flowers over dark green foliage, on warm, slightly aged paper. They sit well against deeper wall colours and warm neutrals.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eCan I split the set up?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eYou can, though they are designed to work together and a single botanical plate has less presence than a group. If you do split them, two in one room and two in another keeps some of the relationship.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eDo they come with hanging fittings?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003ePlease check the product details at checkout for this item, or \u003ca href=\"\/pages\/contact\"\u003eask us\u003c\/a\u003e and we will confirm before you order.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eWill they look exactly like the photographs?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eVery close on the prints. The frames are deliberately aged, so the distressing varies a little from frame to frame, which is the point of an aged finish.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eCan I hang them in a bathroom?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eWe would not recommend it. Sustained steam and humidity are not kind to paper or to a timber frame.\u003c\/div\u003e\n\n      \u003cdiv class=\"faq-q\"\u003eHow are they delivered?\u003c\/div\u003e\n      \u003cdiv class=\"faq-a\"\u003eThe set ships packed together for glass. Current timescales and charges are on our \u003ca href=\"\/pages\/delivery\"\u003edelivery page\u003c\/a\u003e.\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eComplete the look\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cdiv class=\"look-row\"\u003e\n\u003cdiv class=\"look-name\"\u003e\u003ca href=\"\/collections\/console-tables-sideboards\"\u003eConsole Tables \u0026amp; Sideboards\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"look-why\"\u003eThe surface beneath a block or a row. Leave 20cm to 25cm between the two.\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"look-row\"\u003e\n\u003cdiv class=\"look-name\"\u003e\u003ca href=\"\/collections\/faux-flowers-greenery\"\u003eFaux Flowers \u0026amp; Greenery\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"look-why\"\u003eOne stem of foliage below picks up the green without repeating the flowers.\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"look-row\"\u003e\n\u003cdiv class=\"look-name\"\u003e\u003ca href=\"\/collections\/pots-and-vases\"\u003ePots \u0026amp; Vases\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"look-why\"\u003eStoneware rather than glass, to match the warmth of aged paper and timber.\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"look-row\"\u003e\n\u003cdiv class=\"look-name\"\u003e\u003ca href=\"\/collections\/table-lamps\"\u003eTable Lamps\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"look-why\"\u003eLight the wall evenly if you light it at all. Half-lit botanical detail is worse than none.\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"look-row\"\u003e\n\u003cdiv class=\"look-name\"\u003e\u003ca href=\"\/collections\/wall-art\"\u003eWall Art\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"look-why\"\u003eThe rest of the range, for a different wall. Four related pieces is already a collection.\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"look-row\"\u003e\n\u003cdiv class=\"look-name\"\u003e\u003ca href=\"\/collections\/dining-chairs\"\u003eDining Chairs\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"look-why\"\u003eA botanical set above a dining sideboard is the arrangement they suit best.\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdetails class=\"acc\"\u003e\n    \u003csummary\u003e\u003ch3\u003eOrdering with confidence\u003c\/h3\u003e\u003c\/summary\u003e\n    \u003cdiv class=\"acc-body\"\u003e\n      \u003cp class=\"p\"\u003eThe set ships packed together for glass. Current timescales and charges are set out on our \u003ca href=\"\/pages\/delivery\"\u003edelivery page\u003c\/a\u003e.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003eSend us the width of the wall you have in mind and we will tell you whether a block or a row suits it better. Reach us via our \u003ca href=\"\/pages\/contact\"\u003econtact page\u003c\/a\u003e or live chat.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003eIf they are not right once they are up, our \u003ca href=\"\/pages\/returns\"\u003ereturns process\u003c\/a\u003e is straightforward, and everything is covered by our \u003ca href=\"\/pages\/guarantees-and-warranties\"\u003eguarantees and warranties\u003c\/a\u003e.\u003c\/p\u003e\n      \u003cp class=\"p\"\u003eOur \u003ca href=\"\/pages\/price-match\"\u003eprice match promise\u003c\/a\u003e stands if you find the same piece for less elsewhere. Dressing a holiday let or a restaurant? Ask about \u003ca href=\"\/pages\/trade-accounts\"\u003etrade accounts\u003c\/a\u003e.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/details\u003e\n\n  \u003cdiv class=\"closing\"\u003e\n    \u003cp\u003eFour plates from 1835, and one wall solved in a single decision.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CharlesTed Home","offers":[{"title":"Default Title","offer_id":58979753460037,"sku":"ART - CH - AMC172 - AW26","price":225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/9782\/7397\/files\/Ridgway_geranium_studies_set_of_four_botanical_prints.jpg?v=1789125122","url":"https:\/\/www.charlestedhome.co.uk\/products\/ridgway-geranium-studies-set-of-four","provider":"CharlesTed Home","version":"1.0","type":"link"}