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CharlesTed — The Perfect Pieces To Style Your Kitchen

The Perfect Pieces To Style Your Kitchen

The kitchen, more than any other room, gets dressed in layers. Below, our considered guide to the five pieces we'd reach for first — the art, the easel, the vase, the bowl, and a little greenery used sparingly.

Charles Ted Elegant Brass Countertop Easel – Decorative Stand for Cookbooks, Art, or Tablets - CharlesTed Home

Brass Countertop Easel

£39.95
Unit price
per 
Faux Rattan Bread Box - CharlesTed Home

Faux Rattan Bread Box

£39.95
Unit price
per 
The Aurelia Ceramic Jug - CharlesTed Home

The Aurelia Ceramic Jug

£49.95
Unit price
per 

Start with the wall

A piece of art, propped not hung

There’s a particular pleasure in leaning a piece of art against the wall rather than committing it to a hook. It looks unfussy — like you might move it next week, or you might not — and it lets a kitchen breathe in a way that a perfectly hung gallery wall sometimes can’t.

A botanical print works especially well in a kitchen: living things, on paper, near other living things. Choose something with quiet colour rather than a loud statement, and it will sit beautifully alongside whatever you cook, eat, and pour beside it.

One vessel, one stem

A vase, kept simple

A kitchen vase doesn’t need to be a statement. In fact, it’s usually better when it isn’t. A single ceramic or glass vase on the counter, holding one type of stem — eucalyptus, olive branches, a handful of dahlias from the garden in summer — does more for a room than a full bouquet ever could.

Choose a shape you’d happily look at empty, and you’ll never feel the pressure to keep it full.

The vignette in waiting

A footed bowl, left out

There’s something about a bowl raised slightly off the surface that changes the energy of a kitchen counter. A footed bowl asks to be filled — with lemons, with pears, with a few stems of rosemary — and rewards the small effort with a vignette that looks considered without trying to.

Our Striped Footed Terracotta Bowl has earned its place; the Tuscan Rustic Terracotta is its rounder, warmer cousin. Either works.

The finishing layer

A little faux greenery, used sparingly

We’re cautious about faux greenery — it’s the difference between considered and catalogued. Used well, it’s wonderful: a single stem in a vase, a sprig of olive trailing from a footed bowl, one trailing plant on a high shelf where real plants would struggle.

Used badly, it overwhelms. The rule we tend to follow: if you can imagine cutting it from a real plant, it works. If you can’t, it doesn’t.